The title Mad Love in New York City makes Arielle Holmes' memoir sound like a fun summer read. It's actually a story of homelessness and heroin addiction that has inspired a movie, Heaven Knows What, with a backstory precisely as fraught as what happens on screen.
The Brad Bird-directed Tomorrowland didn't make a lot of dough in its opening weekend, despite Bird's impressive reputation and the star power of George Clooney. It didn't get great reviews, either, but one of us (spoiler alert: it was me) liked it more than a lot of people did. We talk on this episode with our friend Bob Mondello about how the film's underlying message about optimism works and doesn't work, and about how its execution of its ambitious concept sometimes lets down the things it's trying to say.
Inevitability has a crucial role in lots of good dramatic works, and every good use of it gives lie to the idea that it's definitionally incompetent to create anything "predictable." From the opening minutes of Nightingale, a new film airing on HBO Friday night starring David Oyelowo (Selma), there is only thick dread about what is going to happen to Peter Snowden, the only character on screen for the nearly 90-minute running time.
The TV series Halt and Catch Fire tells a story you might not expect about the personal computer revolution of the 1980s. For one thing, it's set in Texas, not Silicon Valley. And though there are plenty of bearded, bespectacled men building things in garages, the resident software genius is a woman. Cameron Howe, played by actress Mackenzie Davis, is a punk, anarchist loner who intimidates many of her co-workers.