The Heart Machine is Zachary Wigon's debut feature — a point worth mentioning up top, because the film exhibits the kind of patience, good judgment and restraint that normally requires careful cultivation.
Off to the side of the wickedly funny Swedish black comedy Force Majeure lurks a minor but significant figure with a sour, slightly saturnine face. The man is a cleaner in a fancy French Alps ski hotel and he hardly says a word. But his wordless hovering inspires dread, nervous laughter or both. Which pretty much sums up Force Majeure's adroit shifts of tone, and quite possibly its director's take on the ways of the hip urban bourgeoisie.
There are as many mysteries in Alain Resnais' final film, Life of Riley, as there are in the movies that made his reputation almost 60 years ago. But where Hiroshima, Mon Amour and Last Year at Marienbad were shadowed by history, this sunny adieu is set in a series of make-believe gardens.