Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

The first thing you should know about this week's show is that PCHH regular Glen Weldon has a strict rule against seeing Fast And The Furious movies, and while he would have waived it if he absolutely had to, we fortunately had willing correspondents in beloved fourth chairs Gene Demby and Chris Klimek, so they joined me and Stephen Thompson for our first segment.

It's not just Hamilton.

Musicals have always had a built-in advantage as cultural products. Individual songs can translate and build interest via cast albums or Tony telecasts in a way that's very difficult for plays to emulate. A lot of kids grow up on musicals like Grease and Annie -- and, yes, now Hamilton — while early introductions to plays, however great, might make them seem impenetrable or like homework. (I'm looking at you, William Shakespeare, and doing so lovingly.)

Note: This piece discusses the plot details from the sixth-season premiere of Veep.

Our team is just back from a wonderful live show in Chicago — thank you all for coming! — with W. Kamau Bell as our special guest and Sam Sanders in our fourth chair. (Both were wonderful.) We'll have audio from that show in your feeds later, but this week, we've got a special edition.

First up, we bring you a segment Glen Weldon did with our buddy Gene Demby of Code Switch about diversity in comics. It originally aired on the Code Switch podcast, but we thought we'd bring it to you here as well.

We're all back at the table this week, and we're joined by our library consultant, Boston pal, and wearer of colorful clothing, Margaret H. Willison. First up, we all listened to the new podcast S-Town, which has again raised the profile of narrative podcasts. This one, in seven parts, is about a man who wrote to This American Life to air his complaints about his small Alabama hometown — and that was only the very, very beginning of a complex story.

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